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THE DAY CHART: DAILY REPUBLICAN (1913-1939)

In 1913 appeared a newspaper called the Republican-leaning Castilian Day Chart. Its name is due to preferential space devoted to photo information, allowing photojournalists to work. In its early days included a prominent caption that literally defined as "the only newspaper in the morning perfectly illustrated by the gravure process." Graphic information such as considered that, not just a fill or spectacle, but a significant contribution to the spread of the reality of yesterday to be read but also watch. Printing and workshops were initially placed in Nos. 37, 39 and 41 of the street de la Boqueria, but then moved into the number 49 Muntaner Street, having the entrance to the building at number 8 of the passage of Mercy. The creator of this newspaper inspired by the Daily Mirror of London was electric industrial Josep Pitch i Pon, radical Republican who became mayor of Barcelona and Governor General of Catalonia, by replacing the President of the Generalitat during the biennium Black. The newspaper noted especially because it included photographs inside, especially in the centerfold, and he did seven years before the Madrid newspaper ABC, in an era in which these publications were very few graphic reports in its interior and almost always limited on the covers. The last two pages were reserved for advertising.

Its internal structure was different from other newspapers about the order of the sections concerned. So on the front pages of local information came after the sports and entertainment, and secondly, regional information, the national information and finally the international news. In the center pages where graphic information was also included stories weekly. During the years of World War I, on the cover showed often seen images on the development of the war.
Over the years, was changing the layout of the header, always very classic and elegant. For some years this header used to be accompanied by an image of the city of Barcelona that was changing with time and place of perspective, and panoramic images of various cities and towns throughout Spain.
With the advent of the Second Republic, the republican left was favored by a major shift in Republican-leaning daily locals and written in Castilian that disappointed by the radicalism would be inclined to sympathize for those parties that would later form the Popular Front. Among them was

Chart Day

the outbreak of the Civil War, the progressive restriction of impoverished paper editions with less pages and photographs, a smaller format and header design more functional and less classical. However, it became an outstanding spokesman for the Republican side during the years of conflict. The reporters, mostly with a clear liberal position, began practicing a new form of independent reporting, where the photographer could have access to places where I've never managed to reach. He particularly stressed the photographer Agustí Centelles. His magnificent photographs of the Catalan front during the Civil War, he took with his Leica camera mode modern reporter, will be impressive but they are still, however, less valued than those by foreign correspondents. Their participation in the Army Photographic Services Catalan led him into exile until 1944.
After appearing a special issue on January 27, 1939, Chart Day was not allowed to re-edit and finally disappeared.

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Advertising / The Publicitat (1878-1939)

The Journal Advertising was founded in Barcelona on February 25, 1878, and its director Eusebi Corominas Cornell (1878-1906). It was an informative and policy at the same time within the Republican camp as possible. The drafting team was formed by brothers Emil Costa and Carlos Costa and editors, and Eduard Marquina, Lluís de Zulueta, Josep M. Jorda, Marcel • lí Domingo as collaborators, and Josep Maria Pascual as a music critic, among others. The newspaper became famous for the campaign that led the poet Verdaguer Mossèn Jacint following its conflict with the ecclesiastical jurisdiction, which the campaign daily anticlerical trend, was keen to support. The Advertising he stood against the Catalan, especially since Alexander Lerroux published articles, supported by those of Adolf Marsillach Lleonart.
then fell under the control of the Radical Party and in 1906 went to the direction of Emily Junoy Gelabert, Lerroux lieutenant in Barcelona, \u200b\u200bbut he and most newspaper editors to the radical left and joined the Catalan Solidarity movement . Jordi Llobet Romano in 1907 became the new chief editor. Soon after, Lluís Companys and looked Laureà tried to put the newspaper in the service of Melquiades Álvarez reformist party, but the carpenter purchased the large employer shipping during World War I. Antoni Taya in 1915, which entrusted the reorganization Amadeu Hurtado. He appointed as director Jordi Rome and secured the collaboration of Eugene Xammar, Antoni Rovira i Virgili, Feliu Elias, Carles Soldevila (who popularized its Dietari fulls), Josep Artis, Manuel Brunet, Andreu Nin and others who gave the newspaper a Catalan tone and proponent of the working class. But in 1921, due to economic difficulties, the family sold the newspaper Taya Employers' Federation, which changed the direction but could not sustain it.

Purchased one year by the new party Accio Catalana, liberal branch of the Regionalist League, on October 1, 1922 came to be written in Catalan under the name of the Publicitat. Its first director was Lluís Nicolau i d'Olwer who was in office until 1924 when he was forced into exile by the dictatorship of Miguel Primo de Rivera. Despite the prohibition of the Catalan language, political censorship and control of the media was allowed its publication in that language because it was not a strict prohibition in absolute terms. With the Royal Decree of March 24, 1924 this newspaper left out Monday by the obligation to abide by the Sunday rest Most newspaper editorials, then being replaced these days by the Official Road on Monday. The philologist Pompeu Fabra, leading collaborator, he published his philosophical conversations. He also collaborated journalist and writer Josep Pla, together with Josep Maria de Sagarra and Josep Carner, the three as foreign correspondents. The newspaper quickly became the main body of the Catalan intellectual.
After the events of October 6, 1934, the newspaper was suspended, being replaced by a new weekly publication in Catalan called Mirador. The Publicitat edited again in January 1935, suffered the restriction of paper during the Civil War years and definitely disappeared January 23, 1939 because of the increasing difficulties and with the advent of the Franco regime to Barcelona.

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locations. Railway Station II. Assumption

share with you some pictures of the Railway Station of Asuncion And some photos inside the Railroad Museum.

Sapukai Locomotive. This locomotive ran the first train to Trinidad on October 21, 1861, during the reign of Don Carlos Antonio López.

objects inside the museum.

Interior

presidential wagon.

Bells used to announce the arrival of trains. Data in 1861.

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locations. Railway Station. Assumption

Paraguay Railroad Timeline:

Time of Lopez:

1854: begin efforts to build a railway line during the presidency of Don Carlos Antonio López .

1861: opening the service to transport passengers from Central Station to Trinidad. (Botanical Garden)

1864: the service is enabled to Cerro León, then comes up Paraguarí.

1864-1870: War of the Triple Alliance against Paraguay during this conflict, the Central Station became a field hospital, like other public buildings. A sad story referred to from this place the wounded of the war saw the funeral of Gen. Joseph Hedwig Diaz, who had died shortly after the Battle of Curupayty.

After the war, the Railroad is sold to pay the public debt and a debt to Brazil.

1886: President Bernardino Caballero retrieves the railway to the Paraguayan State. In August of that year authorized the hiring company Patri and continue with the work between Paraguarí and Villarrica.

the British Period:

1887: during the government of Patricio Escobar, authorizing the sale of the railway from Asuncion to Villarrica.

1889: in April, the company "The Paraguay Central Railway Co." signs construction contracts based on equity issuers.

1887 - 1894: stations are built Sapukay, Caballero, Ybytymi Hyaty, Villarrica, Borja, Iturbe, Maciel, Sosa and Yegros.

1891: opens the stretch to the Rio Pirapó Paraguarí.

1894: Building is completed Sapukay workshops.

1907: the British company remains as the sole owner of the railroad.

1909: changed the old double rails fungus and provides rolling stock, locomotives and thirty-four eight-car trains.

1911: the line is to Encarnación.

1913: opening the service to Encarnación.

1914: the service is enabled to Bob and Char, today Eugenio A. Garay.

1919: the same branch is extended to Abaí.

1951, the government intervenes the railroad by the technical deficiencies and services, in order to improve the system.

1959: The company performs a service stop and interventionist government forces her to keep taking care of the budget deficit.

The power of the State Railroad:

1961: Paraguayan government purchase the railroad and all property in 2,000,000 pounds ten year period, without interest.

1964: the company was nationalized and creates the President Carlos Antonio Lopez Railway.

1991: the railroad company becomes subject to privatization.

1999: Trains leave from work for scheduled passenger traffic.

2000: FCCAL declaring the State as a public entity in reform and transformation.

2001: the entity is operated with a view to the transformation process and preparation for transfer to private hands.

! Visit Asuncion!. Visit the Railway Station.

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locations. Casa de la Independencia.

Independence House

This

building located between 14 May and Pres. Franco (Asunción) in 1811 belonged to the brothers Martinez Saenz, who in turn had inherited from his father. The building dates from 1772.

In this house, from the May 14, 1965 the Museum Historical House of Independence. " The same has five rooms arranged around the central courtyard. While the entrance is a mural of ceramic José Parodi representing the most outstanding buildings and places of the colonial era Asuncion.

Let
part of this historical relic:

; The desktop: where are seen documents from the colonial era, a desk that was Fernando de la Mora, and several boxes of Paraguayan artists.

The dining: here you can see several colonial furniture, household utensils, objects of cavalry and some very Highlights: Fulgencio Yegros sword. You can find the portrait of Dr. France.

The room: room has a set of European origin dating from 1830, a crystal chandelier (you can see the back of 10 000 tickets Guarani), a wood and bronze brazier and portraits of two heroes of the independence: Pedro Juan Caballero and Fulgencio Yegros.

The bedroom: a bed more than an embroidered shirt that belonged to Fernando de la Mora, his portrait is also a colonial cabinet, chair, health and image of the Virgin of the Immaculate Conception.

The oratory is preserved in this part of PM Jesuit and Franciscan religious as well as various objects of different origin. The portrait of Francisco Xavier Bogarín Prebístero can also be seen in this room.

The corridor exhibiting two large carved wooden boards originating in the Jesuit missions.

The patio: a portion of the Note of July 20, 1811 written on a ceramic mural Parodi, a sun clock Jesuit mission of Santa Rosa's mound covering the remains of Juan Bautista Rivarola can be seen in this part of the Casa de la Independencia.

Hall Chapter: is a replica of the old chapter room Cabildo of Asuncion.

Alley History: Without a doubt, is the most significant part of the house, then there came the Men of Independence on the night of May 14, 1811 to mark the start of the Independence of Paraguay.

Come visit this beautiful place in the heart of Asuncion!

Hours: Monday to Friday (7 to 18 pm) and Saturday from 8 to 12 hours.
More information at: (021) 493 918