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MERRY CHRISTMAS AND HAPPY YEAR 2011 NATIONAL SOLIDARITY

"In the press of that day" I want you to spend happy holidays in the company of your loved ones and I wish you a Happy Year 2011, is sure to be very positive for everyone.

We look forward to being at your service for a very long time, offering that gift so dear and special as an old newspaper or magazine for a time, spreading illusions, creating emotions and bringing happiness to thousands of people. A joy to meet you and tear is our main objective, so we will be satisfied to have achieved, contributing to more households in happiness prevails through our unique, exclusive and unique product of our history.

A different gift as historical press day you were born, you get married or to commemorate an important event in your life can also be a wonderful and original gift to give that loved one on Christmas Day or Reyes.

In this way prepared to serve an object of value in relation to a point in their lives are going to continue, and your many expressions of satisfaction are our pride and this encourages us forward trying to gain sufficient assurance to improve and excel in day by day in this unique family business around the country.

With our best wishes, we wish you again Merry Christmas and Happy Year 2011. Thank you very much for putting so much trust in us.

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(1939-1979): national spokesman unionism

National Solidarity was founded Falange newspaper in Barcelona in 1936, replacing the anarchist Workers Solidarity newspaper, which, during the Franco regime, was published in hiding until 1976 . Seized
integrated into the chain of Press and Radio Movement, became the main spokesman called vertical union, the only legal trade union organization in Spain. During his active years, began to make promotion of the various patriotic acts of Franco, the cultural and literary renewal and promote the ideas of National Labor Unions, especially the rejection of capitalism and communism for the purpose of advocating a national revolution that would overcome the class struggle and parties to nationalize and socialize the economy.
In its early beginnings as a weekly National Solidarity emerged in 1936 shortly before the Civil War. He took to the streets only three numbers and for this reason the first of 1939 is No 4. It was a morning daily in and out every day except Monday, as was customary at the time.
National Solidarity had different subtitles indicating the tendency of the publication. On February 14, 1939 came the first issue with the caption "Diary of national syndicalist revolution." The cover of the April 1 of that year announced the victory of the leader and the end of the war. As of February 14, 1940 was subtitled as "Journal of the Traditionalist English Falange de las JONS. In March 1957, was subtitled "unionist Journal of Catalonia", and as of June 13, 1970 simply as "Regional Journal." From 1973 until the last number only held the title header.
The writing and printing were in the street number 202 Hundred Council of Barcelona and the issue was in charge of the Provincial de Barcelona. Began publication with a large folio format in 1939. Folio size was changed in 1951 to recover the first format in 1957. The last four years he returned to opt for the page size. Large folio format was 8 to 12 pages of seven columns, and the page size from 12 to 36 pages in three columns. In 1951 adopted a more popular thanks to the arrival of Jesus Vasallo as editor.

The publication had eight directors throughout its history: Jesus de Ercilla, between February and July 1939, Luis Santamaria until 1963, José Ramón Alonso, until 1965, Fernando Ramos served the next two years, Clemente Pamplona followed for three years following three Federico Gallo, Luis Climent, 1973 to 1975, and Francisco Gutierrez Latorre was the last director.
There is a long list of writers and contributors who started later in the day and have gained great importance. This is the case of Manuel Vazquez Montalban, Lluís Marsillach, Robert Saladrigas, Magda Solé, Antonio Casas, Joan Teixidor, Enrique Rubio, Baratech Feliciano, Antonio Fernández Martín de Riquer Martí, among others.
During the years of democratic transition, to the pressure from the workers who demanded a free and democratic representation, the vertical union was abolished by the government of Adolfo Suárez in 1976, and unions were legalized class definitely the April 30, 1977. Reconverted the vertical union in the socio Services Institutional Management Association (ISSA), which held the ownership or management of the Heritage Association called Accumulated (PSA). Thus, given the political change that made him lose his sense of their focus and the lack of an ideological renewal of the paper, coupled with a notable drop in sales, National Solidarity took its last issue on 16 June 1979. During his three recent years, lived with his Democratic counterpart, Solidaridad Obrera, which is still published and distributed in most offices, archives and libraries union.

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VILLAGE DAILY (1940-1984): covert dissent against the Franco regime

The daily evening newspaper VILLAGE Madrid was founded in April 1940, ownership of the vertical union released under the name "People's Publishing and Publications." Writing, offices and workshops, was located on Huertas Street number 73. In the beginning was the head of the National Trade Union Delegation Don Gerardo Salvador Merino, proponent of this publication in trade union that eventually became an excellent propaganda of Franco's regime available to the public. A future Order of November 1942 guaranteed substantial autonomy of the propaganda apparatus of association and effective control over that of the National Trade Union Delegation, a practice that had begun under Salvador Merino but now received legal sanction. Unlike other newspapers whose editorials Press bowed to Sunday rest, went out every day including Monday, possibly because of their union origin very different from any other conventional publishing.
Most of the information they gave was of events and sports. It was an overview of national and international level and also a short news section more of each region. The entertainment section known as "tele-towns."
opinion pages, despite being a conservative newspaper, were considered a pool of dissidents, and that they were made covertly disagreeing with the regime. Between 1952 and 1974 the address was given by Emilio Romero, whose articles, illustrated with a rooster, became popularly known as "cocky."

journalists worked as José María García, José Luis Navarro, Gonzalo Bethencourt and Carvajal, Raúl Cancio, Arturo Perez-Reverte, Forges, Rosa Montero, Antonio D. Olano, Villacastín Rosa, José María Carrascal, Manuel Cruz who was his junior director, Jesús Hermida, Manuel Marlasca, Raúl del Pozo, Heel Vicente Ortiz, Yale, Javier Reverte, Javier de Montini, Tico Medina, German Lopezarias, Mery Carvajal, Carmen Rigalt, Manuel Moles, Jose Antonio Plaza, Jesús María Amilibia, José Luis Balbin, Juan Luis Cebrian, Twin or Vicente Felipe Romero, among others. It is said that the newspaper no matter the political ideology, but knowing how to write well and be prepared to make very intense days of work. In fact, unlike other papers that merely report "objectively", the paper contained a number VILLAGE opinion pieces, making it a forerunner of current publications. The back or second page section called "Page D" was exclusively devoted to those articles of opinion. He even introduced a section of "letters from readers."
With the advent of the Transition, the newspaper began a slow and gradual period of decline, as the Franco unionism disappeared and there was no editorial resources to keep you interested in the acquisition, which would have allowed it to continue. Given this situation, many of its reporters went to work for other papers while others chose to stay to participate under the direction of Emilio Romero when it seemed it would be the successor of the daily newspaper as reference PEOPLE: THE CAGE. However, this project failed, as would the subsequent attempt to resurrect the same Emilio Romero THE FAIR.
In 1982 the workforce was reduced by 42%, and after a case assessment and final decision making by the Council of Ministers, the Government recommended the closure of this newspaper, a fact which was consummated on May 16 1984.

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THE DAY CHART: DAILY REPUBLICAN (1913-1939)

In 1913 appeared a newspaper called the Republican-leaning Castilian Day Chart. Its name is due to preferential space devoted to photo information, allowing photojournalists to work. In its early days included a prominent caption that literally defined as "the only newspaper in the morning perfectly illustrated by the gravure process." Graphic information such as considered that, not just a fill or spectacle, but a significant contribution to the spread of the reality of yesterday to be read but also watch. Printing and workshops were initially placed in Nos. 37, 39 and 41 of the street de la Boqueria, but then moved into the number 49 Muntaner Street, having the entrance to the building at number 8 of the passage of Mercy. The creator of this newspaper inspired by the Daily Mirror of London was electric industrial Josep Pitch i Pon, radical Republican who became mayor of Barcelona and Governor General of Catalonia, by replacing the President of the Generalitat during the biennium Black. The newspaper noted especially because it included photographs inside, especially in the centerfold, and he did seven years before the Madrid newspaper ABC, in an era in which these publications were very few graphic reports in its interior and almost always limited on the covers. The last two pages were reserved for advertising.

Its internal structure was different from other newspapers about the order of the sections concerned. So on the front pages of local information came after the sports and entertainment, and secondly, regional information, the national information and finally the international news. In the center pages where graphic information was also included stories weekly. During the years of World War I, on the cover showed often seen images on the development of the war.
Over the years, was changing the layout of the header, always very classic and elegant. For some years this header used to be accompanied by an image of the city of Barcelona that was changing with time and place of perspective, and panoramic images of various cities and towns throughout Spain.
With the advent of the Second Republic, the republican left was favored by a major shift in Republican-leaning daily locals and written in Castilian that disappointed by the radicalism would be inclined to sympathize for those parties that would later form the Popular Front. Among them was

Chart Day

the outbreak of the Civil War, the progressive restriction of impoverished paper editions with less pages and photographs, a smaller format and header design more functional and less classical. However, it became an outstanding spokesman for the Republican side during the years of conflict. The reporters, mostly with a clear liberal position, began practicing a new form of independent reporting, where the photographer could have access to places where I've never managed to reach. He particularly stressed the photographer Agustí Centelles. His magnificent photographs of the Catalan front during the Civil War, he took with his Leica camera mode modern reporter, will be impressive but they are still, however, less valued than those by foreign correspondents. Their participation in the Army Photographic Services Catalan led him into exile until 1944.
After appearing a special issue on January 27, 1939, Chart Day was not allowed to re-edit and finally disappeared.

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Advertising / The Publicitat (1878-1939)

The Journal Advertising was founded in Barcelona on February 25, 1878, and its director Eusebi Corominas Cornell (1878-1906). It was an informative and policy at the same time within the Republican camp as possible. The drafting team was formed by brothers Emil Costa and Carlos Costa and editors, and Eduard Marquina, Lluís de Zulueta, Josep M. Jorda, Marcel • lí Domingo as collaborators, and Josep Maria Pascual as a music critic, among others. The newspaper became famous for the campaign that led the poet Verdaguer Mossèn Jacint following its conflict with the ecclesiastical jurisdiction, which the campaign daily anticlerical trend, was keen to support. The Advertising he stood against the Catalan, especially since Alexander Lerroux published articles, supported by those of Adolf Marsillach Lleonart.
then fell under the control of the Radical Party and in 1906 went to the direction of Emily Junoy Gelabert, Lerroux lieutenant in Barcelona, \u200b\u200bbut he and most newspaper editors to the radical left and joined the Catalan Solidarity movement . Jordi Llobet Romano in 1907 became the new chief editor. Soon after, Lluís Companys and looked Laureà tried to put the newspaper in the service of Melquiades Álvarez reformist party, but the carpenter purchased the large employer shipping during World War I. Antoni Taya in 1915, which entrusted the reorganization Amadeu Hurtado. He appointed as director Jordi Rome and secured the collaboration of Eugene Xammar, Antoni Rovira i Virgili, Feliu Elias, Carles Soldevila (who popularized its Dietari fulls), Josep Artis, Manuel Brunet, Andreu Nin and others who gave the newspaper a Catalan tone and proponent of the working class. But in 1921, due to economic difficulties, the family sold the newspaper Taya Employers' Federation, which changed the direction but could not sustain it.

Purchased one year by the new party Accio Catalana, liberal branch of the Regionalist League, on October 1, 1922 came to be written in Catalan under the name of the Publicitat. Its first director was Lluís Nicolau i d'Olwer who was in office until 1924 when he was forced into exile by the dictatorship of Miguel Primo de Rivera. Despite the prohibition of the Catalan language, political censorship and control of the media was allowed its publication in that language because it was not a strict prohibition in absolute terms. With the Royal Decree of March 24, 1924 this newspaper left out Monday by the obligation to abide by the Sunday rest Most newspaper editorials, then being replaced these days by the Official Road on Monday. The philologist Pompeu Fabra, leading collaborator, he published his philosophical conversations. He also collaborated journalist and writer Josep Pla, together with Josep Maria de Sagarra and Josep Carner, the three as foreign correspondents. The newspaper quickly became the main body of the Catalan intellectual.
After the events of October 6, 1934, the newspaper was suspended, being replaced by a new weekly publication in Catalan called Mirador. The Publicitat edited again in January 1935, suffered the restriction of paper during the Civil War years and definitely disappeared January 23, 1939 because of the increasing difficulties and with the advent of the Franco regime to Barcelona.

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locations. Railway Station II. Assumption

share with you some pictures of the Railway Station of Asuncion And some photos inside the Railroad Museum.

Sapukai Locomotive. This locomotive ran the first train to Trinidad on October 21, 1861, during the reign of Don Carlos Antonio López.

objects inside the museum.

Interior

presidential wagon.

Bells used to announce the arrival of trains. Data in 1861.

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locations. Railway Station. Assumption

Paraguay Railroad Timeline:

Time of Lopez:

1854: begin efforts to build a railway line during the presidency of Don Carlos Antonio López .

1861: opening the service to transport passengers from Central Station to Trinidad. (Botanical Garden)

1864: the service is enabled to Cerro León, then comes up Paraguarí.

1864-1870: War of the Triple Alliance against Paraguay during this conflict, the Central Station became a field hospital, like other public buildings. A sad story referred to from this place the wounded of the war saw the funeral of Gen. Joseph Hedwig Diaz, who had died shortly after the Battle of Curupayty.

After the war, the Railroad is sold to pay the public debt and a debt to Brazil.

1886: President Bernardino Caballero retrieves the railway to the Paraguayan State. In August of that year authorized the hiring company Patri and continue with the work between Paraguarí and Villarrica.

the British Period:

1887: during the government of Patricio Escobar, authorizing the sale of the railway from Asuncion to Villarrica.

1889: in April, the company "The Paraguay Central Railway Co." signs construction contracts based on equity issuers.

1887 - 1894: stations are built Sapukay, Caballero, Ybytymi Hyaty, Villarrica, Borja, Iturbe, Maciel, Sosa and Yegros.

1891: opens the stretch to the Rio Pirapó Paraguarí.

1894: Building is completed Sapukay workshops.

1907: the British company remains as the sole owner of the railroad.

1909: changed the old double rails fungus and provides rolling stock, locomotives and thirty-four eight-car trains.

1911: the line is to Encarnación.

1913: opening the service to Encarnación.

1914: the service is enabled to Bob and Char, today Eugenio A. Garay.

1919: the same branch is extended to Abaí.

1951, the government intervenes the railroad by the technical deficiencies and services, in order to improve the system.

1959: The company performs a service stop and interventionist government forces her to keep taking care of the budget deficit.

The power of the State Railroad:

1961: Paraguayan government purchase the railroad and all property in 2,000,000 pounds ten year period, without interest.

1964: the company was nationalized and creates the President Carlos Antonio Lopez Railway.

1991: the railroad company becomes subject to privatization.

1999: Trains leave from work for scheduled passenger traffic.

2000: FCCAL declaring the State as a public entity in reform and transformation.

2001: the entity is operated with a view to the transformation process and preparation for transfer to private hands.

! Visit Asuncion!. Visit the Railway Station.

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locations. Casa de la Independencia.

Independence House

This

building located between 14 May and Pres. Franco (Asunción) in 1811 belonged to the brothers Martinez Saenz, who in turn had inherited from his father. The building dates from 1772.

In this house, from the May 14, 1965 the Museum Historical House of Independence. " The same has five rooms arranged around the central courtyard. While the entrance is a mural of ceramic José Parodi representing the most outstanding buildings and places of the colonial era Asuncion.

Let
part of this historical relic:

; The desktop: where are seen documents from the colonial era, a desk that was Fernando de la Mora, and several boxes of Paraguayan artists.

The dining: here you can see several colonial furniture, household utensils, objects of cavalry and some very Highlights: Fulgencio Yegros sword. You can find the portrait of Dr. France.

The room: room has a set of European origin dating from 1830, a crystal chandelier (you can see the back of 10 000 tickets Guarani), a wood and bronze brazier and portraits of two heroes of the independence: Pedro Juan Caballero and Fulgencio Yegros.

The bedroom: a bed more than an embroidered shirt that belonged to Fernando de la Mora, his portrait is also a colonial cabinet, chair, health and image of the Virgin of the Immaculate Conception.

The oratory is preserved in this part of PM Jesuit and Franciscan religious as well as various objects of different origin. The portrait of Francisco Xavier Bogarín Prebístero can also be seen in this room.

The corridor exhibiting two large carved wooden boards originating in the Jesuit missions.

The patio: a portion of the Note of July 20, 1811 written on a ceramic mural Parodi, a sun clock Jesuit mission of Santa Rosa's mound covering the remains of Juan Bautista Rivarola can be seen in this part of the Casa de la Independencia.

Hall Chapter: is a replica of the old chapter room Cabildo of Asuncion.

Alley History: Without a doubt, is the most significant part of the house, then there came the Men of Independence on the night of May 14, 1811 to mark the start of the Independence of Paraguay.

Come visit this beautiful place in the heart of Asuncion!

Hours: Monday to Friday (7 to 18 pm) and Saturday from 8 to 12 hours.
More information at: (021) 493 918

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MAIL CATALAN (1876 - 1985)

The newspaper El Correo Catalán was founded by journalist Manuel Mila de la Roca i Ràfols and the priest Felix Sarda. The wording was placed in the street Banys Nous Barcelona. The first issue came to light on December 16, 1876. Since its inception, became the mouthpiece of the traditional Catalan, being known as a popular daily defender de los intereses materiales y populares del país”. Por ello se enfrentó a otros diarios de carácter republicano y legitimista hasta el punto de ser suspendido por las autoridades, aunque volvió a aparecer bajo nuevas denominaciones como “El Eco del Milanesado”, “El Noticiero” (1880) y “El Fénix” (1900).
Manuel Milà de la Roca pronto cedió la dirección del periódico a Lluís Maria Llauder, nuevo propietario y director del diario hasta su muerte en el año 1904. Desde entonces un grupo de accionistas, formado por sacerdotes, alta y media nobleza española, propietarios, comerciantes e industriales, crearon una empresa editora con el nombre de Fomento Press Traditionalist SA
A year before the onset of the sports daily El Mundo Deportivo, El Correo Catalán in 1905 launched the first sports page in a general journal. It also created new sections on literature and agriculture.
Beginning in 1912, joined Solidarity Catalan Carlist continued to maintain its trend and started a bilingual stage he had written in Catalan and Castilian.
In the Civil War began on 20 July 1936, it stopped publishing and was seized by the Paritdo Workers Marxist Unification (POUM) to edit your body "Battle." Its director, Joan Soler i Janer, was forced to leave the address after you have done for years. Of the eighteen existing newspapers in the city and Barcelona on July 19, 1936, could only return four. And writing workshops were attacked and burned. El Correo Catalán
spontaneously brought a number the day after the fall of Barcelona, \u200b\u200band reappeared on February 14, 1939.

the late fifties came into the company that publishes a group of shareholders linked to the Catalan bourgeoisie. Andreu is the time Escofet Rossello and Manuel Ibanez, with whom the newspaper conducted a course for the moderate Catalan and democratic between 1958 and 1963.
Since 1964, adopts an "open" and "county", reaching more than 100,000 copies, and revamped its format full color graphics supplements coming out on Sunday. In 1965 he became a favorite newspapers opposed Franco and becoming the second largest in Catalonia, behind English La Vanguardia and ahead of El Noticiero Universal. Ibanez Escofet left the newspaper in 1968. In those years came to an occasional paper edited in Catalan, particularly in the color Sunday supplements including collectible booklets various topics.
In 1974 the board changed. According to the Office of Justification and Diffusion in just three years declined from 67,000 copies to 38,000, coming in a deep economic crisis in 1982. In November 1985, motivated employees strike over unpaid payroll precipitated the ultimate demise of the newspaper.