Tele / eXpres evening was an independent newspaper published in Barcelona on the evening of September 16, 1964, published in Castilian. It was the first private newspaper published after Civil War English that broke the gray monotony of a press censorship under the Franco regime. One new daily feature new color, with blue logo, red fish fillets and the massive use of negative. Designed in the likeness of the popular France Soir, Tele / Express was the first to appear in broadsheet format, for its enormous dimensions. Building the expectations aroused by Press Law adopted by the Minister Manuel Fraga Iribarne, authorized the new paper thanks to the good relations of the owner, the banker and industrial products from Manlleu Lastortras Jaume Castell, with the regime, especially the dictator's son, the Marquis of Villaverde, who went hunting in Africa. Principal shareholder of Banco de Madrid, the Catalan Development Bank, the food industry La Piara and Cinesa film, also had interests in the chemical industry and the emerging tourism sector. The other members of the group were Carla felt, Federico Gallo and Andre-Avel • lí Artís "Sempronius." Unlike other newspapers, edited every day, Monday included when other newspaper publishers met the royal decree that required the Sabbath.
began with a sensationalist, why always had problems with Franco's censors and caused suspicion among the other newspapers of Barcelona. But he was standing by the heterogeneity of writing (Federico Gallo, Manuel del Arco, Maisterra Pascual, Josep Pernau, Juan Segura Palomares, Jaume Miravitlles and Josep Maria Lladó).
Between 1964 and 1966 the director was Andrew Avel-lí Artis "Sempronius," which had nothing to do with Franco and that fits in with the republican tradition of journalism. Journalists formed a writing system, such as television Federico Gallo, censor or police Maisterra Pasqual Horcajada Romulus, and youth anti-Franco as Pere Oriol Costa, Matthew Madridejos, Dario Vidal or Ricardo Mazo, who form the core of the newspaper. Also surrounded himself with former colleagues, some arrived from exile, as Jaume Miravitlles, Josep Maria Lladó or his cousin Avel lí Artistic • Gener "Tísner." Soon, however, would be evidence that the regime could not withstand even a breath of fresh air. An article critical of Bishop Pine, Bishop of Lleida and confessor of Carmen Polo de Franco, it took the director position in 1966. Fraga made against strings Castell interests cinematic or dismissing the director or the film Chimes at Midnight, by Orson Welles, caused by Cinesa not represent Spain at the Cannes Film Festival.
Ignacio Agustí took the lead, but his article in which he described as incordiantes monks to priests who had expressed torture against the police put the paper in front of his home crowd and he picked up Carlos Castell Sentís, assisted in the sub by Manuel del Arco. But the banker had already noticed that newspapers do not so simple and in 1968 sold it to the Conde de Godo, owner of La Vanguardia, half the day.
The new ownership took a dramatic turn to Tele / eXpres, naming Escofet director Manuel Ibanez, who gave his most brilliant day between 1968 and 1975. Appointed assistant to Peter O. Costa and leaned against the younger sector with additions such as Joan of Sagar, Terenci Moix, Manuel Vázquez Montalban, Ramon Barnils, Montserrat Roig and Jaume Perich, printing and publication an air breaker who became a reference in that anxious Barcelona, \u200b\u200beducated, politicized and fun, the end of the sixties and seventies. Rigorous informative tone alternating with a lighthearted and provocative opinion, what an eager public loyalty currency. As he approached the end of the dictatorship, Franco overwhelming pressure on the newspaper and the property is stressed. Sailing with cunning, Ibanez was overcoming hurdles to the summer of 1975, when an article by columnist Josep Maria Huertas Claveria on brothels of Barcelona came up with this in jail. Passionate, heart resented director shortly thereafter and was replaced by Pere Oriol Costa in 1976. Published weekly since 1975 one or two pages in Catalan culture. Other contributors were Peter Maduro, Txerra Cirbián and photographer Kim Manresa.
The dictator's death marked the beginning of a new era for the country and, of course, to journalism. Assuming the new situation was not easy and Tele / Express was acquired in 1977 by the peculiar group of Sebastià Auger. Despite the efforts of its editors led by Cesar Millan, Miguel Á. Bastenier and Tristan La Rosa, the precarious economic situation of the group found its demise in 1980.
Sources: http://es.wikipedia.org/wiki/Tele/eXpr% C3% A9s
http://www.upf.edu/depeca / Depec / mvm / diaris / telexp.htm
http://www.ub.edu/dphc/salasprat.htm
http://www.dariovidal.com/index . php? option = Tele-eXpres
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